Height 16 inches
Width 13 inches
Depth 6 inches
Weight 10 kg
Materials- Chola Lost Wax Process Bronzeu
Nataraja 16
₹121,000.00 ₹120,000.00
Height 16 inches
Width 13 inches
Depth 6 inches
Weight 10 kg
Materials- Chola Lost Wax Process Bronze
- Yes, almost! However, there is one important thing to remember: all property names must be camel-cased
- Yes, almost! However, there is one important thing to remember: all property names must be camel-cased
- Yes, almost! However, there is one important thing to remember: all property names must be camel-cased
- Yes, almost! However, there is one important thing to remember: all property names must be camel-cased
- Yes, almost! However, there is one important thing to remember: all property names must be camel-cased Yes, almost! However, there is one important thing to remember: all property names must be camel-cased
Availability: in stock
CompareAvailability: in stock
Category:Bronze StatueWeight | 38 kg |
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Dimensions | 30 × 72.3 × 91.4 cm |
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Depth 6.5 inches
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Materials- Chola Lost Wax Process Bronze
This graceful form of Shiva is infused with such artistic grace that it has come to represent all in Indian art, dance, and music. It possesses fluidity and flow of dance, purity of music and beauty of art. In this remarkably standardized form, the god is shown dancing within a flaming halo (prabha mandala) which represents time and which is shown as a circle to symbolize the Hindu belief that it is both cyclical and without end. This statue is 16 inches from base to top of the tallest flame and weighs 10 kg. It is a classic example of the Chola Lost Wax Bronze casting process. The hundreds of hours of human energy in the form of wax molding, casting, rough/fine filing, and the final detail chiseling shine through in the completely unique face of this Siva Nataraja, truly one of a kind. Nataraja’s right foot stands on Apasmara (ignorance personified). - armed with dagger and a detailed tiny shield. Shiva’s left foot is raised in dance movement. A simple belt tied around his torso is shown flowing to his left and an erect Cobra sits on his right arm. He holds Damaru (hourglass drum) in his upper right hand and Agnishikha (flame) in left. His lower right hand is gestured in Abhaya Mudra (assurance or granting fearlessness) and left hand dangles down, relaxed gracefully in Gajahasta Mudra. He wears his hair as a crown, studded with stork feathers. His free-flowing hairs bear Ganga depicted as a mermaid on the right side and a snake on the left. The male and female earrings in his ears respectively symbolize Shiva’s completeness. The sculpture rests on a double pedestal of lotus and square. The elegance of this one of a kind Lost Wax process bronze Nataraja will grace your studio, pooja room or any place of reverence you provide.
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Rated 3.00 out of 5
(03)
Availability: in stock
Height- 16 inches
Width- 8 inches
Depth- 4.5 inches
Weight- 7 kg
Materials- Chola Lost Wax Process Process
Vinadhara Siva
This particular form Siva is known as Vinadhara or “Veena Player”, the Lord of Music. A title he borrows from Saraswati. The pose is called is called “Veena Player” because Shiva’s two front hands are in the position they would be if he was playing a veena. The veena is missing as it is in all Vinadhara sculptures. In Shiva’s other two hands he holds an axe as well as a deer. The deer shows how all animals see Shiva as their lord and revere him. The god is standing in elegant Tribhanga pose on a round lotus base in a frontal pose with all his well-built limbs correctly proportioned. The sculptures elegance is displayed in the play of curves and angles that harmonize into a serene stature one can gaze at with reverence. The simple loin cloth is suggestive of a piece of elephant hide. With the minimalist loin cloth, ornamented belts and elaborate crown the sculpture manages to appear lavishly dressed. The feet have each a course of 3 loose padasaras. The toes have rings on the big and little toes. Siva is known as the master of Yoga, Music and Dancing. He is very popular in the south by the name Dakshinamurti. This statue is sometimes referred to as the Lord of Music form of Siva as Dakshinamurti. Not to be confused with the seated Dakshinamurti who is shown under a banyan tree enlightening attending rishis with one foot on mythical Apasmara crushing the ego of man.vishnu 19
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This Lord Vishnu Chola Lost Wax Bronze is 2 feet 5 inches tall and weighs 20kg. As with all of our one of a kind Chola Lost Wax Process bronzes the face of this statue is as individually unique. Because Vishnu maintains the cosmic order of the universe or dharma, he is characteristically portrayed standing upright and balanced. While Vishnu has many forms, this four-armed form is most common in the historic record of Antique Chola Lost Wax Bronze Icons as seen in museums and temples throughout India. In his four arms, he holds a Shankha a conch shell (upper left hand), used as a war horn to signal troops and Chakra (disc-upper right hand) are emblems of Vishnu. The Chakra named Sudarshana is a powerful weapon that is time personified and symbolizes dharma. Vishnu is wearing jewels around his neck and a beautiful ornate crown. The fine detail on the crown blends flawlessly all the way around. The crocodile shaped earrings he wears are called Makara Kundala. Notice the small triangular mark near his right shoulder. This mark is called Srivatsa and was inflicted by Shiva’s trident during a duel between Shiva and sage Narayana who was an incarnation of Vishnu. However, Vishnu bears this mark with reverence as Lord Shiva who is extremely dear to Vishnu. His right hand is raised in Abhaya Mudra (assurance or granting fearlessness) and left extends and rests near his waist in Katyavalambita Mudra. His perfect and unique waist is adorned with a powerful Demon like center and 4 ornate belts blend into the classic leg pattern seen on this form historically. The sculpture stands on a solid round pedestal. In order to accommodate a neat round base, this statue does not have the sometimes seen the two upward pointing bars on the pedestal are usually meant to slide over and fit onto a vertical Prabhavali the ornate arch around South Indian statues.
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This set, depicting Siva as a peasant and Parvati as the Devi is a detailed copy of the pieces on display in the Thanjavur Art Gallery. The originals are considered superb representations of Siva from the early Cholas in the year 1011 CE. This set is another one of Metal Crafts masterpieces that can bring Chola History and understated elegance into your home without supporting the illegal antique trade. The word Devar refers to the fact that Siva is represented in human form with just two arms. This depiction is the only Chola statue in which Siva is shown in human form. It is also unique in the display of the hair shaped into the form of a turban that is most obvious in the front view. As stated above the two arms indicate that this form of Siva is the human guise of a peasant. The right hand is positioned to rest on the head of his sacred bull (Rishabha/Nandi), which was not found with the originals, while the left hand is in katyavalampita-hasta. With unrivaled grace and dignity Siva, as a peasant stands firm on his left leg, the right leg crossed with toes resting on the ground. The Devi, Parvati, is in every way a fit companion for the aesthetic excellence of Siva. She stands in tribhanga leaning towards Siva with her right hand in kataka and the left hand hanging like a cows tail, govala. Her legs mimic the posture of Siva with a lesser bend of the knee on the right leg. This posture is what differentiates this Parvati form from other standing depictions such as Sivakami. Certainly, any Chola bronze admirer can see the uniqueness of this pair from any other depiction of the heavenly couple and would want them to grace their home.
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Availability: in stock
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Depth- 10.5 inches
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Materials- Chola Lost Wax Process Process
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This particular form Siva is known as Vinadhara or “Veena Player”, the Lord of Music. A title he borrows from Saraswati. The pose is called is called “Veena Player” because Shiva’s two front hands are in the position they would be if he was playing a veena. The veena is missing as it is in all Vinadhara sculptures. In Shiva’s other two hands he holds an axe as well as a deer. The deer shows how all animals see Shiva as their lord and revere him. The god is standing in elegant Tribhanga pose on a round lotus base in a frontal pose with all his well-built limbs correctly proportioned. The sculptures elegance is displayed in the play of curves and angles that harmonize into a serene stature one can gaze at with reverence. The simple loin cloth is suggestive of a piece of elephant hide. With the minimalist loin cloth, ornamented belts and elaborate crown the sculpture manages to appear lavishly dressed. The feet have each a course of 3 loose padasaras. The toes have rings on the big and little toes, there is a footrest under the right foot not to be mistaken for a sandal. The left leg in in Kunchita(slightly bent) and is held in position by a squatting singing ghana. The ghanas left hand receives the toe of assurance of the god while his right hand is in singing gesticulation in gratitude of such assurance. Siva is considered to be the creator and Master of Yoga, Music and Dancing. He is very popular in the south by the name Dakshinamurti. This statue is sometimes referred to as the Lord of Music form of Siva as Dakshinamurti. Not to be confused with the seated Dakshinamurti who is shown under a banyan tree enlightening attending rishis with one foot on mythical Apasmara crushing the ego of man.Ardhanarisvara 24
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- International customers, please be advised Statues (over 6 inches tall) shipped Internationally require review and approval of the State Archaeologist which can only be scheduled once a month. Even with a 2-week Federal Express shipping time to the furthest destination, this state requirement can add 6-8 weeks to the delivery process.
- As mentioned above all statues are shipped via Federal Express outside of India and TNT for domestic orders. The cost of shipping is dependent on destination and the weight of the statues and will be calculated at the time of purchase but we can offer our educated estimate if you contact us ahead of purchase.
- Lost Wax Chola Bronze is composed of Copper, Iron, and Tin. In current times the we use scrap bronze typically referred to as gunmetal with additional copper added to make copper the majority element. The term Panchaloha Bronze refers to a 5 metal bronze with the addition of Gold and silver. The gold and silver is strictly for religious purposes and do not affect the structural integrity or visual finish of the bronze. For custom orders of home Pooja or Temple Statues, we can discuss the addition of predetermined quantities of gold and silver in your diety, the cost of which will be added into the total cost quoted.
- Custom orders can be arranged but as stated previously we will only produce statues in their historically documented poses and aspects.
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